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水彩画自百年前传入中国以来,经过一辈又一辈中国画家的不懈努力,将中国传统美学思想及中国画的技法融入其中,使得这一西方绘画形式在中国有了可喜的发展并形成了独特的风格面貌。水彩画的语言特征是它存在的价值。笔者试着从水彩画语言的民族化分析中国水彩画语言特征,从地域上的差异、历史文化背景以及作者自身特质等方面来诠释水彩画多元化发展现象的前因后果。最后对水彩画的良性发展提出自己的几点构想。
Since the introduction of watercolor into China a hundred years ago, after years of unremitting efforts of Chinese painters of the same generation, the traditional Chinese aesthetics and the techniques of Chinese painting have been incorporated into it, making the western painting form a gratifying development in China and forming a unique The style of the face. The language features of watercolor are the value of its existence. The author attempts to analyze the linguistic features of Chinese watercolor from the perspective of nationalization of watercolor languages and explain the antecedents and consequences of the phenomenon of diversified development of watercolor from the perspective of geographical differences, historical and cultural backgrounds and the author’s own characteristics. At last, I put forward some ideas about the benign development of watercolor.