论文部分内容阅读
国画是大概2010年的时候突然喜欢上的,打那之后基本上除了书画的书和展别的基本不咋看。画得很少,就有展览的时候赶出一批,因为掌握不好,所以画得还是挺认真的。画家有画家的追求,我不是画家,有得画就画。有得画,又不咋会画,又画得很认真,应该就很渣。——梁硕《关于“渣记”的自述》梁硕用他一系列不同媒介的材料的实验,搭建出了一套“渣”审美系统的模型。在这个系统中,任何一个单件作品和事件都只是每个足迹的证据,这个思维模型也被挤压到他近期的水
Chinese painting is probably like a sudden when I was in 2010, playing basically after that in addition to painting and calligraphy exhibitions and basic not to see. Draw a very small, there are exhibitions out of a group, because of bad grasp, so the painting is still very serious. Painter has the pursuit of painter, I am not a painter, I have painted to draw. Have to draw, not ye will draw, but also painted very seriously, it should be very slag. - Liang Shuo “About” Slavery “Read” Liang Shuo with a series of different media materials experiment, set up a “” “slag ” aesthetic system model. In this system, any single piece of work and events are only evidence of each footprint, this thinking model has also been squeezed into his recent water