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从审美文化比较,不难发现渡边淳一的钝感力理论与庄子的逍遥游思想有着不同的精神内涵和气质取向,东西方不同的文化语境造就了二者不同的理论品格,但是对自由的追求让他们选择心斋,世俗的偏见让他们选择旷达,进而能够直面生死,恬静淡然。钝感是立于现实的逍遥,逍遥是超越万物的钝感,二者跨越时空的羁绊,相互契合。
From the comparison of aesthetic culture, it is not difficult to find that Junichi Watanabe’s theory of dull sense of force has a different spiritual connotation and temperament orientation than that of Zhuangzi’s wandering thoughts. Different cultural contexts between East and West have created different theoretical characters. However, The pursuit of let them choose heart vegetarian, secular prejudice allows them to choose broad-minded, and then be able to face life and death, quiet and indifferent. Insensitivity is based on the reality of Happy, Happy beyond all sense of insecurity, the two across the fetters of time and space, mutual fit.