当代书法创作在近三十年的发展中,已形成以碑帖并重、碑帖兼融基础上的多元化为基本特征的大格局。进入新世纪之后,承接着上世纪八十年代后期至新世纪初的繁荣与提高,近六、七年间的创作发展则总体地表现出如下特征:更为理性地审视此前创作发展中的得与失并进行自觉调整;对优秀传统研究、发掘的深度、精度较前有大的推进,新一代青年优秀作者的群体形成——从而进入一个更为稳定、健康的发展时期。其间,从当代创作与审美的立场出发,凭借现代技术所提供的空前优越的文本阅读条件,对“二王”为源头的文 In the recent thirty years of contemporary calligraphy creation, a grand pattern has been formed based on the pluralism of rubbings and the diversification of rubbings and rubrics. After entering the new century, to undertake the prosperity and improvement of the late eighties of the last century to the beginning of the new century, the creative development during the last six or seven years showed the following characteristics in general: A more rational examination of the previous achievements in the development and development Lost and adjusted consciously; the great depth and precision of outstanding traditional research and excavation have been greatly promoted, and the formation of a group of outstanding young authors of the new generation has entered a more stable and healthy period of development. In the meantime, proceeding from the standpoint of contemporary creation and aesthetic appreciation, with the unprecedented superiority of text reading provided by modern technology, the article entitled “The Two Kingdoms”