《神曲》研究中存在着一个传统的认识,即该诗承袭了亚里士多德、圣托马斯等人的哲学理论构建自身的宗教伦理体系。然而,重新解读《神曲》可以发现,诗中存在许多与亚、托二人的伦理标准相异甚至相对立的隐喻性细节。尽管其新颖的伦理观念植根于古希腊哲学和基督教神学的沃土之中,但尤其突出地接受了新柏拉图主义宗教伦理观的精神因子,进而实现了与古希腊文化中乐观而富于思辨性的宗教精神的汇合。 There is a traditional understanding in “Divine Comedy” research, that is, the poem inherits the philosophical theories of Aristotle, St. Thomas and others to construct its own religious ethics system. However, the reinterpretation of Divine Comedy reveals that there are many metaphorical details in the poem that differ from and even against the ethical standards of both Asian and Pacific scholars. Although its novel ethical ideas are rooted in the fertile soil of the ancient Greek philosophy and Christian theology, they have especially accepted the spiritual factors of neo-Platonic religious ethics, and have thus achieved the ideal of being pessimistic and pessimistic with the ancient Greek culture The confluence of religious spirits.