秦腔是广泛分布于西北的戏曲艺术样态,其根植的土地就是人民群众,因此从诞生之日就贴合普罗大众的审美趣味。在秦腔舞台实践中不难发现,脱离了人民群众审美趣味的剧目,即便是以“创新”为标榜进行的传统剧目再创作,或是投入了大量人力物力进行的新编戏创作,无论其阐释的是多么高尚的情怀,都很难获得观众的认可。反之,用平民视野进行关照生活,并 Shaanxi opera is widely distributed in the northwest of the opera art, the root of the land is the people, so from the date of creation to fit the public aesthetic taste. It is not difficult to find out from the practice of the Qin and Qing Dynasties in the stage of the Qin and Qing Dynasties that even if the repertoire of the traditional repertoire featuring “innovation” is re-created or a large amount of manpower and material resources are put into practice, It is difficult to get the audience’s approval because of its noble feelings. On the contrary, take care of life with a civilian perspective