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中国文学的现代变革得益于“写实”的兴起,文学进化观、“忠于地”等都是文学姿态调整的反映。文学向日常生活迁移。作为现代思想的结果,人的文学的生成极大地解放了文学生产力,引领文学在回归自身的同时也走进了现代生活的深处。日常生活向度扩大了文学空间,提升了现代启蒙品格。同是表现复仇题材,不同作家的处理显然参与了因思想歧异而形成的文学方案和启蒙方式的并立。复仇凝聚了强烈的生命诉求。复仇成了消解焦虑的文化革命想象。鲁迅不失痛快和洒脱,巴金呈现了复仇的现代困境,汪曾祺现代主义手法的运用只是人类和世界的思想投影。围绕着“晦涩”的“看不懂的新文艺”的争论是思想和文学协商的又一范例。
The modern revolution of Chinese literature benefits from the rise of “Realism ”, the concept of literary evolution, “loyalty ” and so on are all the reflection of literary attitude adjustment. Literature to the daily life of migration. As a result of modern thinking, the formation of human literature has greatly liberated the productivity of literature, leading the literature into the depths of modern life while returning to itself. The daily life expands the literary space and enhances the modern enlightenment character. The same is the subject of revenge, the treatment of different writers obviously involved in the ideological differences between the formation of literary programs and the enlightenment of the way. Revenge unite a strong life demands. Revenge has become an imagination of the cultural revolution that resolves anxiety. Lu Xun, with all his pleasure and ease, Ba Jin presented the modern dilemma of revenge. The application of Wang Zengqi’s modernist methods is just the projection of ideas of mankind and the world. The controversy surrounding “obscurity” and “new literature and art not comprehensible” is yet another example of the negotiation of literature and thought.