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江南乐韵·《二泉新唱》换个角度来唱唱《二泉映月》的想法其实早就有之,但用高亢亮丽来说说这个故事倒是近期之闪念。能否使作品具有些“交响”效果或现代韵色却要费点思量。先赴现场得了些新时代背景下的感受,而后从较长时期的反复听读《二泉》中寻找到了创作“入点”。由评介描写的视角去讲述《二泉》的表象音域着手,摒弃抑郁和悲绝,张扬华逸与情韵。高调树冠以表达情愫流彩石滩以传递泉声,简淡中“阿炳”蹒跚而来,带来流音,留下了余曲,用新的表演手法来叙述传统乐章。未知能否传情,只是尝试,只是探索,不敢相提并论。
Jiangnan LeYun “Er Quan new sing” from another point of view to sing the “Er Quan Ying Yue” idea has long been in fact, but with a bright and beautiful to say this story is the recent flash. Whether to make the works have some “symphonic” effect or modern rhyme but have to think about it. After going to the scene, she got some experiences in the new era, and then found the “entry point” of her creation from the repeated reading of “Er Quan” over a longer period of time. Describing the description of the angle of view to describe the “two springs,” the appearance of the sound field proceed, to abandon depression and tragedy, Zhang Hua Yi and publicity. High-profile tree crown to express feelings Emu flow colored rock beach to transfer spring sound, simple “Bing” staggering, bringing the flow of voice, leaving the song, using the new performance techniques to describe the traditional movement. Unknown teaser, just try, just to explore, not to mention.