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里乔托·卡努杜认为,电影是把静的艺术和动的艺术、时间艺术和空间艺术、造型艺术和节奏艺术全都包括在内的一种综合艺术,是一种综合建筑音乐绘画雕塑诗和舞蹈这六种艺术的“第七艺术”。电影作为人类工业时代的产物,它的产生制作有着非常明显的工业生产痕迹。人类为了留住时间,开始探寻保留现实的方式。然而随着时间流逝,思想和科技的发展。电影以一种奇妙的姿态出现,它展示给我们的不仅仅是现实那么原始。这些影像引导了我们思考,给予了我们心灵的震撼。那么影像与现实之间究竟存在着怎样的关系,是完全叙述了现实,还是对现实的另一种记录?或许影像开始出现独立自主,有了自我独立性,在现实的基础上进一步升华?毋庸置疑的是,在电影的不断发展中,影像纪录手法和思考方式的进一步升级是从现实中受到了更多启发。
Riccione Canudo believes that the film is a kind of integrated art that includes both static art and moving art, time art and space art, plastic art and rhythm art, and is an integrated architectural music painting and sculpture poem And dance of these six art “seventh art ”. Film as a product of the human industrial era, its production has a very clear traces of industrial production. To save time, humans began to explore ways to preserve reality. However, with the passage of time, the development of ideas and technology. The movie appears in a fantastic gesture that shows us more than just reality. These images lead us to think and give us the shock of our hearts. Is there any relationship between the image and the reality, a complete account of the reality or another record of the reality? Perhaps the images began to appear independent and self-reliant and further sublimated on the basis of reality What is more, in the continuous development of the movie, the further escalation of the methods of image recording and thinking is more inspired by the reality.