电影,我们还有什么可说的么?并且还是海派电影? 假使我对电影上瘾,那么对我以及许多朋友来讲,有了VCD,还要电影院干嘛? 其实,不是我们拒绝电影,而是电影拒绝了我们。如果撇开“海派”,那么电影的话题在贫乏之中似乎还可以稍稍集中一点。本来,现在拍电影,是导演演员大串班,各色地块大协作的时期,电影的地域标识已经不明确,除了为评“五个一”时需要标明它的产地所属之外。《阳光灿烂的日子》好象还行。可是马上就有特别喜欢“放谈”的人物出来说它已经放了一个大大的卫星,五十年还是一百年我记不清了,反正时间不短,其间别的电影已经难以与其比肩了。这样的哄抬之下,稍有的一些批评,也立刻就令主创者如姜文者脸上挂不住了。可能姜文也有道理,现在这部电影居然有了盗版碟片,虽然在地摊上卖得不好,可其它国产片有这个份吗? Movies, what else can we say? And is still a movie of Shanghai? If I am addicted to the movie, so for me and many of my friends, with VCD, but also the cinema? In fact, not that we reject the movie, but The movie rejected us. If you put aside the “Shanghai School”, then the topic of the movie in the poor seem to be able to focus a little bit. Originally, the film now is a series of directors acting on a large string of classes, colored plots of great cooperation, the geographical identification of the film is not clear, except for the evaluation of “five one” need to indicate its origin belongs. “Sunny day” seems okay. But immediately there are people who like to talk about it. It says it has put a big satellite on it. Fifty years or a hundred years I can not remember. Anyway, the time is not too short. . With such a boost, a few criticisms at once made the creator such as Jiang Wen’s face hang up immediately. Jiang Wen may also make sense, and now the film actually have pirated discs, although not sold well in the stalls, but other domestic films have this one?