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本文对古典戏曲剧本中用以提示动作的术语“科”、“介”的来源及 其所反映出的杂剧、南戏的不同表演风格进行了讨论，指出：１．杂剧中的 “科”来自道教仪式。２．“介”最早是上古礼仪中助宾行礼、在主宾之间通传 的角色，傀儡戏用作赞导式的提示，被早期南戏直接继承。３．“科”与“介” 的不同来源，说明杂剧与南戏在表演上分别吸取了不同的仪式动作，它们在风 格上的差异是与生俱来的。
This article discusses the origin of the terms “Ke” and “Ji” in the classic drama scripts and the different performance styles of Zaju and Nan opera reflected in them, pointing out: 1. The “subjects” in the drama come from Taoist rituals. 2. “Mediation” is the earliest ceremonies in the ancient ceremonies, the role of guest between the guest, the puppet show as a compliment to the prompt, was directly inherited the early South play. 3. The different sources of “science” and “introduction” show that the dramas and the South Opera respectively take different ritual actions in their performances, and their differences in style are inherent.