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艳俗艺术作为中国文化精神的表征,在经历了物质的匮乏、文化的贫瘠和目前追赶现代化时间的仓促,导致了我们时代审美趣味的媚俗,这种媚俗的审美趣味带有中国式的极度俗艳和农民暴发式的喜庆色彩。“艳俗”所指证的是,20世纪90年代中期以来中国文化发展的基本特征。在大众文化的视域里,当下文化不是在建构我们的时代精神,而是一边疯狂地将各种文化传统臻于完善的样式打成
As a manifestation of the Chinese cultural spirit, gaudy art has undergone material scarcity, cultural impoverishment and current rush to catch up with modern time, leading to the kitsch tastes of the aesthetic taste of our times. This kitsch aesthetic taste is extremely Chinese-style Yan and farmers festive festive color. “Gaudy ” is the evidence of the basic characteristics of Chinese cultural development since the mid-90s of the 20th century. In the field of mass culture, the current culture is not building our own spirit of the times, but rather framing a frenzied pattern of perfecting the various cultural traditions