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通过碎片在景观设计中的视觉创意阐述碎片的美感。从历史、肌理、图案、外形、思想以及个性六个方向阐述。结论表明,在景观设计领域,碎片随处可见,小如石头,大如建筑。这些碎片是残缺的,不完美的,甚至有可能毫无价值。破碎产生也许是历史原因,也许是设计师故意而为之。设计师追求碎片特质,是追求剥蚀残损形成的古雅、拙朴、历经沧桑的残破;追求不齐之齐、不平衡的平衡、变化了的统一;追求没有工业文明的虚伪、僵硬和死板;追求有强烈的历史感和时间性的设计形式;追求日益失去的原本纯真的向往。设计师利用破碎,关注的不仅是支离破碎残缺形体的艺术魅力,还有碎片下不同的意境和内涵。
Through the visual design of debris in landscape design expounds the beauty of debris. From history, texture, pattern, shape, thought and personality in six directions. The conclusion shows that in landscape design, debris can be seen everywhere, as small as a stone, as large as a building. These fragments are incomplete, imperfect and may even have no value. Broken produce may be a historical reason, perhaps the designer deliberately. The pursuit of debris characteristics of designers, the pursuit of the formation of denudation damaged quaint, Zhuopu, after years of broken; the pursuit of Qi Qi, unbalanced balance, changing unity; the pursuit of no industrial civilization hypocrisy, rigid and rigid; pursuit There is a strong sense of history and time-based design; the pursuit of increasingly lost original pure yearning. Designers use the broken, concerned about not only the artistic charm of the fragmented body, but also the different artistic conceptions and connotations under the fragments.