一个导演的风格,与他规定摄影机的位置有关。小津在所有的影片里,固执而着迷地要求摄影师把三脚架做成小板凳的高度,他迷恋平视与稍微仰望的角度里发生的故事。侯孝贤的角度,得益于他童年时的一次淘气事件,他爬上了后园墙角的一棵树,一边摘果子吃,一边坐在树杈上回望家,庭院,人群,于是他的影片,总是时间变得悠然,空 A director’s style, with his provisions camera position. Ozu is, in all films, stubbornly obsessed with asking photographers to make tripod stands on the bench, obsessed with the story that takes place in both straight and slightly looking angles. Hou Hsiao-hsien’s point of view, thanks to a mischievous childhood he childhood, he climbed the back of a tree corner of the corner, while picking fruit to eat, while sitting on the tree branches look back home, the courtyard, the crowd, so his video It is always time to become leisurely and empty