一般说来,短篇小说的容量较小,故事也比较简单。如果不精心构思,在情节上下点工夫,恐怕难以吸引读者。就如一个小园子,跨进门就啥都看得一清二楚了,谁还有游览的兴趣呢。所以,川西的四合院,大多设置有照壁或屏风,暂且把观者的视线挡一挡,使之产生一种欲见不能的神秘感觉。苏州的园林虽小,但往往这儿弯个弯,设座鱼池、假山;那儿拐两拐,掘条曲折的水渠;再在前边砌道矮墙,穿插几棵垂柳;又在后面添处凉亭,置几道回廊……每每弄得人扑朔迷离,以为这园子好阔好大,其实呢,却是个小园子。 In general, short stories have a small capacity and the story is relatively simple. If you do not carefully conceive and work hard on the plot, I am afraid it will be difficult to attract readers. Just like a small garden, you can see clearly when you cross the entrance door. Whoever has the interest in sightseeing? Therefore, most courtyard houses in western Sichuan are provided with walls or screens, temporarily blocking the viewer’s view, creating a mystical sense of wanting to see. Although the gardens in Suzhou are small, they often bend here, setting up fish ponds and rockeries; there are two crooked canals and digging canals; then in the front, the low walls of the masonry are interspersed with several weeping willows; Set a few corridors ... ... every time people get confused, thinking that this garden is very wide and big, in fact, it is a small garden.