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中国电影在经历1990年代(以国际电影节获奖为标志)与新世纪初期(以古装武侠片全球流行为标志)的两个鼎盛阶段后,2006年以来陷入了前所未有的困境。文学性是当下内容生产的核心竞争力,也是目前中国电影在资金、技术等硬实力方面难以与好莱坞电影竞争的情况下唯一能倚重的软实力。新世纪“大片模式”形成以来,中国电影张扬影像意识到了极致,缺乏好故事、不会讲故事的缺陷已经成为人所共知的短板,此时,重提电影的文学性就具有特殊的意义。
Chinese films have been in an unprecedented dilemma since 2006 after two heyday stages of the 1990s (marked by the award of the International Film Festival) and the beginning of the new century (marked by the global popularity of ancient martial arts films). Literary nature is the core competitiveness of current content production, and it is also the only soft power that can be relied on by Chinese film in the current circumstances that it is hard to compete with Hollywood films in terms of capital, technology and other hard power. Since the formation of the new century and the “blockbuster mode”, Chinese films have become more and more aware of the flamboyance of images. The lack of good stories and the failure to tell stories have become the well-known shortcomings. At this moment, Special meaning