节选自丘挺评论朱建忠的水墨是他自己心像中的世界,他善于在水墨晕染的反复渍叠间寄托自己的情思。他的艺术不是现实生活反映,而是安置其灵魂深处的孤寂。中国山水画向来讲究人与自然的相望相化,在人与自然山水的不断流变中反映出自然化的人格,人格化的自然,这是中国山水画很别致的境界。大德的水墨往往是借一冈一壑,一树一石,一亭一舍来描写自然造化与心性的合一。或山丘远近, Excerpt from Qiu Ting Zhu Jianzhong’s ink painting is his own heart like the world, he is good at repeating the ink stains between stains sustenance their feelings. His art is not a reflection of real life, but a loneliness in the depths of his soul. Chinese landscape painting has always been about the phase of mankind and nature of the phase, in the continuous evolution of landscapes of man and nature to reflect the natural personality, personal nature, which is the Chinese landscape painting is very unique realm. Dad’s ink is often borrowed from a Gang a gully, a tree and stone, a pavilion to describe the unity of nature and nature. Or hills near,