《涉江词》是现代女词人沈祖棻的词集,由程千帆先生笺注,这些笺注集中体现了程氏对《涉江词》的理解原则和方法。从诠释学的角度探讨程氏笺注《涉江词》的必要性、可能性、有效度、相对性与必然性,十分重要。其笺注的必要性在于《涉江词》采用了以词纪事、比兴和隐喻的方法;其可能性则与程氏作为词人丈夫的身份有关,也与其开展此项工作的社会环境有关;笺注的有效度取决于程氏的笺注方法,即依据词人采用隐喻方式创作这一特点进行笺注;笺注的相对性是针对程氏诠释《涉江词》作品的意义而言的;所谓必然性,是从学术研究的精神层面来立论的。这项工作对程氏而言既是他对《涉江词》揭示的存在真理的再揭示,也是他体验生命存在真理的一种必然。 The Ci Poetry is the word set of the modern female writer Shen Zuoyu, which is annotated by Mr. Cheng Qianfan. These notes embody Cheng’s understanding of the principle and method of “CiJiang Ci”. From the perspective of hermeneutics, it is very important to explore the necessity, feasibility, validity, relativity and necessity of the Chengjian memo. The necessity of the memo is that CiJi adopts the method of CiJi, Beixing and metaphor. Its possibility is related to Cheng’s identity as a clerical husband and also to the social environment in which she carries out this work. The validity of a note depends on Cheng’s method of memo, which is based on the feature of a poet in the way of metaphor creation. The relativeness of a note is for Cheng’s interpretation of the meaning of the “Ci Jiang Ci” work. The so-called necessity, It is based on the spiritual aspect of academic research. This work, to Cheng’s, is not only the revelation of the truth of existence revealed by the “Ci-Poetry”, but also a necessity for him to experience the truth of the existence of life.