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回顾水墨画在香港跨世纪发展的历程,特别是近10年来的发展情况,体现了香港水墨画坚韧的生命力,也验证传统中国画向现当代转换之可能。香港因其地缘位置和政治环境之关系,在回归祖国之前,由于港英当局一贯采取对文化艺术不干预、不支持的放任态度,又偏重于重商轻文、尊西贬中的文化政策,只注重商业和经济的发展,忽略了文化艺术在文明社会中的软实力作用,缺乏对文化艺术长时期的支持。在港英统治时期,殖民文化占据了主体文化的位置,西方
The history of cross-century development of ink paintings in Hong Kong is reviewed. In particular, the development in the past 10 years reflects the tenacity of Hong Kong ink-and-wash paintings and the possibility of transforming traditional Chinese paintings into modern ones. Due to its geographical location and political environment, before its return to the motherland, Hong Kong authorities have always adopted cultural and artistic intervention and unsupportive laissez-faire attitudes. However, Hong Kong has also placed emphasis on the cultural policy of merciful business, Only focusing on business and economic development, ignoring the soft power of culture and arts in civilized society, the lack of long-term support for culture and the arts. In the era of Hong Kong-British rule, colonial culture occupied the position of the main culture, the West