中国的戏剧一直是在不断的接受国外戏剧的刺激下成长起来的。而先锋派戏剧在中国更算是一个非常年轻的外来新鲜事物。现阶段,我们对先锋派戏剧的认识和了解还停留在一个很肤浅的阶段上。无论是从戏剧的创作方面,还是表导演方面,先锋派戏剧都给我们留下了很多值得探讨和考虑的问题。本文将对先锋戏剧《乱民全讲》进行简要分析,以点及面。以求抛砖引玉。 Chinese drama has always been growing under the stimulation of foreign drama. Avant-garde plays in China is more of a very young foreign novelty. At this stage, our understanding and understanding of avant-garde plays remains at a very superficial stage. Avant-garde plays have left many issues worth exploring and considering both in terms of drama creation and table director. This article will be avant-garde drama “chaos talk about” a brief analysis to point and surface. In order to initiate.