论文部分内容阅读
我对当代中国山水画的看法是:当下的中国山水画创作呈现出这样一种情景,似乎任意一种艺术风格都能找到自己的笔墨江山,山水画界也似乎出现了某种仁者乐山、智者乐水的繁荣景象。但是,就当代中国山水画的整个面貌而言,并没形成真正可靠的艺术创作局面。山依旧是那座山,水依旧是那片水,山水画依旧是那种没有多大变化的视觉面貌,特别是中国山水画创作在过分泛滥的水墨实验情境中偏离了中国山水画的本土立场。在笔者看来,这种艺术倾向与中国山水画的精神品
My view on the contemporary Chinese landscape painting is: the current Chinese landscape painting presents a scene, it seems that any kind of art style can find their own pen and ink, landscape painting community seems to have some benevolent Leshan, wise music Prosperity scene. However, the true face of contemporary Chinese landscape painting, did not form a truly reliable art scene. The mountain is still the mountain, the water is still the piece of water, and the landscape painting is still the kind of visual appearance without much change. Especially, the Chinese landscape painting deviates from the native position of Chinese landscape painting in the over-flooding ink experiment situation. In my opinion, this artistic tendency and the spiritual features of Chinese landscape painting