论文部分内容阅读
一九六二年早春时节,一场不同寻常的演出轰动了北京城。热心的观众们潮水般涌向鲜鱼口胡同的大众剧场,争看著名评剧演员筱桂花和筱白玉霜同台演出的《打狗劝夫》。五十多年以前,筱桂花曾与筱白玉霜的母亲——白玉霜同台演过戏。白玉霜比筱桂花年长一岁,两人是一师之徒,都是孙家班孙凤鸣的弟子。筱桂花十四岁拜师学戏的时候,白玉霜已出师搭班唱戏去了。在一次随师流动演出中,师父接来白玉霜唱“台柱”,两人才得相遇,合演了《五女哭坟》,白玉霜演主角大女,筱桂花演配角三女。尚未出师的筱桂花,缺乏舞台经验,演出戏来不懂得去顾应他人,初次合作,并不和谐,一出戏下来,白玉霜便告假他奔了。以后,她们在各自辗转奔波的艺术生涯中,开创了自己的艺术发展道路。白玉霜依照自己的嗓音低宽、浑厚、深沉等条件,发展了低回委婉的唱腔,形成了鲜明的“白派”艺术特色。筱桂花则发展自己高亢明朗,
In the spring of 1962, an unusual performance hit Beijing. Enthusiastic audiences tide flock to the public mouth of the salmon alley theater, vying for the famous repertory actor Xiao osmanthus and Xiao Baoyu cream on the same stage of the performance of “playing dogs advised husband.” More than 50 years ago, Xiao osmanthus had a play on the stage with Xiao Baiyu cream’s mother - Bai Yushu. Bai Yuxiu older than a year old Osmanthus fragrans, two are a division of disciples, all Sun disciples Sun Fengming disciples. Xiao osmanthus fourteen years old when apprentice learning, Bai Yushuang has been a teacher to take class singing. During a master’s solo performance, Master Shui-bian joined the White Stand to sing the “pillar,” and the two met to join the “Five Girls Crying Tomb”. Xiao osmanthus has not yet worked as a teacher, lack of stage experience, the show did not know how to take care of others, the first cooperation, is not harmonious, a play down, Bai Yushu will leave him fled. Since then, they have started their own path of artistic development in their respective artistic career. Bai Yushu in accordance with their low voice width, vigorous, deep and other conditions, the development of low back euphemism singing, forming a distinctive “white school” artistic characteristics. Xiao osmanthus is to develop their own high-pitched bright,