(一)近百年来对新诗的批评不绝于耳,给新诗带来巨大的压力。尤其是批评者经常以古诗作为参照系,以古诗的辉煌来比衬新诗的衰败。最有代表性的是郑敏先生在1993年发表的长文《世纪末回顾:汉语语言变革与中国新诗创作》认为:“语言主要是武断的、继承的、不容选择的符号系统,其改革也必须在继承的基础上”。她认为新诗成就不高,原因在于“由于我们在世纪初的白话文以及后来的新文学运 (I) Criticism of new poetry in the past century has been unceasingly inflicted, putting tremendous pressure on the new poetry. In particular, critics often use ancient poems as frame of reference and compare the decline of new poetry with the glory of ancient poetry. The most representative is the long article by Mr. Zheng Min, published in 1993: “The End of the Century: Chinese Language Reform and the Creation of Chinese New Poetry”: “Language is mainly an arbitrary, inheritable and unqualified symbolic system. Its reform must also On the basis of succession. ” She believes that the success of new poetry is not high, because "because of our vernacular in the beginning of the new century and later the new literary movement