论文部分内容阅读
一、“互见法”的内涵被鲁迅誉为“史家之绝唱,无韵之《离骚》”的《史记》,不仅开创了我国纪传体史学,而且开创了我国的传记文学。其思想意义是和司马迁独具匠心的谋篇布局和高超的写作技巧密不可分的。司马迁为了更好地展现自己的主人公的形象,“把历史事件或人物活动分散在数篇之中,令其参差互见,详略不同,彼此补充”[1],这就是司马迁首创的“互见法”。其运用之妙,“有似两手分书,一喉异曲,则又莫不同条共贯,科以心学性理,犁然有当”[2]。如司马迁在《高祖本纪》中把刘邦写成“受命而帝”的神圣人物,肯定了他统一楚汉纷争、建立伟大
First, the connotation of “law of reciprocity” was hailed by Lu Xun as “the historical poem” of the epic novels of the historians and the “historical records” of the “Li Sao” without rhyme, which not only created the historiography of discipline of mass media in our country, but also created our biographical literature. Its ideological significance is inseparable from Sima Qian’s originality of layout and superb writing skills. Sima Qian in order to better demonstrate the image of his protagonist, “the historical events or character activities scattered in the number of articles, so that they mixed with each other, the difference is different, complement each other ” [1], which is Sima Qian’s first “See each other law.” The use of the wonderful, “is similar to two books, a different tune, then not different from the same article, the subject of psychology, plow there when” [2]. For example, Sima Qian wrote the sacred figure of Liu Bang in “Gao Zu Ben Ji” as “command and emperor”, affirming his unification of the Chu-Han dispute and the establishment of great