“金石气”与“书卷气”是两个相对应的概念,也是贯穿于书法风格史的两大书法美类型,它们既具有各自独立的书法审美的特征与价值,又相辅相成地活跃于书法发展的特定历史时代里。耿彬先生学习书法的年代,还延续着清末民国以来碑帖之争的余绪,大量出土的简牍和墨迹残纸又在冲击着人们的固有观念,但在新中国成立初期的济南,还是以雄强浑厚的金石气的碑派书风为主,像金 The two types of calligraphy are the two corresponding concepts and the two calligraphic types that permeate the history of calligraphy style. They not only have their own independent characteristics and value of calligraphy aesthetic, but also complement each other. In the specific historical era of the development of calligraphy. Mr.Geng Bin’s study of calligraphy, but also continuation of the remaining pieces of the dispute between rubble and plaque since the end of the Qing Dynasty and the Republic of China, a large number of unearthed bamboo charcoal and residual ink are impacting people’s inherent ideas, but in the early days of the founding of New China, Jinan Heroic vigorous stone inscription written style, like gold