现代的民居建筑一般都比较矮,为了进入这样的展示空间,传统书法的对联、中堂和条屏必须截短高度,变成斗方或准斗方的幅式。怎样写好斗方,是当代书法创作的重大课题。我在《论书法的形式构成》一书中说:当代书法的创作和欣赏已经逐渐从读的文本转变为看的图式了,视觉要求越来越高,书法的表现在点画和结体的基础上,越来越强调字组的构成、形的构成甚至笔墨与馀白的构成,以至于可 Modern residential buildings are generally relatively short, in order to enter such a display space, the traditional calligraphy couplets, Zhongtang and the screen must be truncated height, into a bucket side or quasi-square format. How to write fights, is a major issue of contemporary calligraphy. In my book On the Formal Formation of Calligraphy, I said: The creation and appreciation of contemporary calligraphy have gradually shifted from reading texts to visualization. The visual requirements are getting higher and higher. The performance of calligraphy in drawing and composing Based on the more and more emphasis on the composition of the word group, the composition of the shape and even the composition of ink and white, so that