赵树理是接受美学理论在中国现代文学中的最佳文本。他的成功正在于他将其作品读者定位在农民群落中，并且努力去满足读者建立在其接受前结构之上的阅读期待视野。赵树理作品中也不乏“空白”、“空缺”及“否定”等召唤结构因素。 Zhao Shuli is the best text to accept the aesthetic theory in Chinese modern literature. His success lies in his positioning of readers of his work in the peasant community, and efforts to meet the readers to establish their pre-accepted structure on the horizon of reading expectations. Zhao Shuli’s works are also lacking in “blank”, “vacancy” and “negative” and other calling structural factors.