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本文通过我国各个历史时期哲学家及美学家们关于形、神、意的论述,揭示我国关于形与神理论的产生和发展。并通过实例来论述我国人物画轻形、重神、尚意的审美特征和艺术追求。
This article reveals the emergence and development of the theory of form and god in our country through the expositions of form, spirit and meaning of philosophers and estheticians of various historical periods in our country. And through examples to discuss the aesthetic character and artistic pursuit of the figure-shaped,