“奇服旷世,骨像应图。披罗衣之璀粲兮,珥瑶碧之华琚……践远游之文履,曳雾绡之轻裾。”《洛神赋》中人物的高贵和美好,从精致华美的服饰铺叙中映现出来。这些描写我国女性形象的独特美感与丝绸有千丝万缕的联系,像“罗敷善蚕桑,采桑城南隅……缃绮为下裙,紫绮为上襦”。绫罗绸缎的色与形,无一不是承载美丽与智慧女性的最佳华服。尽管今天我们不能像诗句中 “Oddly Kuangshi, bone figure should be map. Pei Cui bright Cui Xi, Joel Yao Hua Hua ... ... practice far Wenzhuo, dragging the light 裾 裾 裾. ” “Roselle Fu” characters Noble and beautiful, reflected from the delicate and colorful costumes. These unique images depicting the uniqueness of the female image of our country are inextricably linked to that of silk. Like the “Luo Fu Shan silkworm mulberry, the mulberry Sangmul Nanliu ... Qiuqi is the lower skirt, the purple Qi is the Shangmi.” Aya silk satin color and shape, both are the best costumes to carry beautiful and intelligent women. Although today we can not like poetry