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1与他的最新作品在绘画语言上所取得的突破性进展相比,“大家来找碴”应该被视为李青确立其个人风格的系列之作。从2005年初至今,他一直都在不停地丰富这个系列里的作品,或者,以一个比喻性的说法,一直都在砌造这处小小的迷宫。从更为广泛的角度说,一切艺术创作都具有迷宫性质,而我们对于一幅画作的凝视,本身就颇似迷宫漫游:这就像雅克·阿达利(Jacques Attali)在那本薄薄的论迷宫的书中写到的:“谁制造了迷宫,谁就把有限变成了近乎无限,把时间堆积在有限的空间里”。
1 Compared with the breakthrough made by his latest work in the language of painting, “Everybody Comes to Find” should be regarded as a series of works that Li Qing established his personal style. From the beginning of 2005 until now, he has been constantly enriching the works in this series, or, in a metaphorical way, has been building this little maze. From a broader perspective, all art is labyrinthine, and our gaze on a painting is itself a maze-like romance: it’s like Jacques Attali in that thin theory Written in the Labyrinth’s book: “Who created the maze, who turned the finite into almost infinite time to accumulate in a limited space.”