自1857年查理·波德莱尔的诗集《恶之花》在法国问世以来，象征主义诗歌以其对阴暗社会的全部恨的发泄，成为观照现代人的生存状态的一面“魔镜”。无论是前期魏尔伦、兰波、马拉美的诗歌创作，还是以瓦莱里、里尔克、叶芝和艾略特为代表的后期象征主义诗歌实践，都一直自觉地 Since the advent of Charlie Baudelaire’s poetry anthology “Evil Flowers” in France in 1857, symbolism poetry, with its full hate of dark society, has become a “mirror” of modern people’s living conditions. Whether it is the early Versailles, Rimbaud, Ma Latin American poetry, or Valery, Rilke, Yeats and Eliot represented the practice of later symbolism poetry, have been consciously