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如果以世纪作为断代标界,那么,我们可以看到,在近现代中国山水画风格演变的历史上,存在着传统写意体系和近现代写实体系平行发展的山水画风格变异轨迹。传统写意体系以自元迄今的山水模式为宗,结合模仿、师心变迹为其特征,整体上保持着传统绘画风格形式的平稳延续。近现代写实体系则不同程度地吸收了西方写实艺术观念和写真技巧,试图将写生取景与传统技法程式融合起来,形成新面貌。两种“体系”
If we take the century as the decadal demarcation, then we can see that in the history of the evolution of the modern Chinese landscape painting in the modern times, there exists the variation of the style of the landscape painting that the traditional freehand system and the modern literary system develop in parallel. The traditional freehand system regards the landscape pattern from the Yuan Dynasty to the present as the case and combines the features of imitation and demeanor of the teacher and the mind to maintain the smooth continuation of the traditional painting style. Modern realistic system absorbs the concept and pictorial skills of Western realistic art in varying degrees, trying to integrate sketchwriting with traditional techniques to form a new look. Two kinds of “system”