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二十世纪四十年代至今,钱谷融先生的文艺思想演进脉络大致可用“从唯美到人学”来概括。在演进过程中,因人学思想内涵的理论生命力、五六十年代的时代语境以及唯美主张的内在发展共同发生作用,钱先生的论述侧重点和论述方法方面都发生了一些转移。这一演进并非封闭、单向的进程,“唯美”和“人学”在钱谷融文艺思想中相互贯通,唯美的印痕已化进了“人学”观。从这一角度来看,钱谷融先生可谓是终生执著的唯美主义者。
From the 1940s onwards, Mr. Qian Guirong’s evolution of the literary and art thinking can be roughly generalized: “From aestheticism to humanism”. In the process of evolution, due to the theoretical vitality of the connotation of human studies, the contemporary context in the 1950s and 1960s and the intrinsic development of the aesthetic proposition all play a part in the process. There are some shifts in Qian’s discourse and discourse methods. This evolution is not a closed one-way process, but aestheticism and humanism are interlinked in Qian Gu-rong’s thought of literature and art, and aesthetic impressions have been transformed into the concept of humanity. From this perspective, Mr. Qian Gu Rong can be described as lifelong persistent aestheticism.