贾宝玉翻着林黛玉的古琴谱,只见竖写一行行,似字又非字,似识又不识,只好比作看天书。其实,这“天书”倒是“人”专为弹琴者记录琴曲而造的,不弹古琴的人,只要稍加学习,一般也不难解。古琴谱,是取左右手技法的名字和按、弹的位置,减其笔划作为符号,并按一定的原则组合成新的方块字。照此弹奏就能得到一定的音高,有的还能反映一定的节奏型。这种记谱法,我们叫它“减字谱”或“指法谱”。当然,它读起来既不是“上、尺、工”,也不是“do、re、mi”,究竟怎么读法,下面我们略举两例。“荀”,谱字上方的“艹”为“散”音(空弦音)的减字 Jia Baoyu turned Lin Daiyu Qinqin spectrum, I saw the vertical line of his writing, the word is not words, like to know and do not know, had likened to see the Bible. In fact, this “bible” is actually “people” made for the record of the harpsichord musician who do not play Guqin, as long as a little learning, generally not difficult to understand. Guqin spectrum is to take the name of left and right hand techniques and press the bomb position, minus its stroke as a symbol, and according to certain principles into a new box words. According to which you can get a certain pitch, some can also reflect a certain rhythm. This notation, we call it “reduced spectrum” or “fingering spectrum.” Of course, it read neither “on, ruler, worker”, nor “do, re, mi”, how to read the law, let’s cite two cases. “Xun”, “艹” at the top of the spectrum is the reduction of “San” (empty string)