论文部分内容阅读
伍迪·艾伦的电影总是这样,不会有太高的票房,却永远有着一批忠实的观众。他影片的腔调也不合美国主旋律,60年代就已经成为著名导演的伍迪·艾伦,只有1977年拍的《安妮霍尔》,例外地获得了奥斯卡奖。举行颁奖典礼的晚上,伍迪·艾伦没有出席,他躲到了平日经常流连的小酒馆,吹着黑管,弄着爵士。在幸福被指标化、仪式化的时代,这种随心所欲的生活状态难得而幸福。伍迪·艾伦喜欢纽约的都市生活,他觉得如果离开纽约自己将一事无成。拍完《曼哈顿》后,他说:“我希望向大家传达我对曼哈顿现代生活主观浪漫的看法,希望一百年后有人看到这部电影的时候,会知道70年代纽约人的生活是什么样子。”
Woody Allen movie is always the case, there will not be too high box office, but always have a loyal audience. The tone of his film is also incompatible with the theme of the United States, Woody Allen who became a famous director in the 1960s, and only Anne Bell in 1977, with the exception of the Oscars. Night of the awards ceremony, Woody Allen was out of attendance. He hid in a bistro, frequented by weekdays, with a black tube and jazz. In the times when happiness was standardized and ritualized, this arbitrary life was rare and happy. Woody Allen loves the urban life in New York City, and he feels he could do nothing by leaving New York. After finishing “Manhattan,” he said: “I want to convey to everyone my subjective and romantic view of modern life in Manhattan. I hope one hundred years later when someone saw the movie, he would know that the life of New Yorkers in the 1970s was What’s up. ”