高留彬在《当代戏剧》(1987年第三期)上发表的《电子琴与戏曲音乐》一文中,阐明了以下观点:一、电子琴的运用,首先要在保持本剧种特色的基础上,代之以更具时代气息的新异音响和崭新韵昧,而决不能用音响效果去制造某种感观刺激。二、运用电子琴,必须搭配合适。整体风格要统一协调,戏曲乐队运用电子琴,必须选配与之相适应的乐队,使之与戏曲音乐更加融洽,更加熨帖。三、因剧制宜,要求针对不同类型的剧目及其不同的风格,在使用电子琴 Gao Youbin elaborated the following points in her essay “Electric Keyboard and Opera Music” published in “Contemporary Drama” (the third issue in 1987): First, the use of the keyboard must first be based on the characteristics of the genre, A more epoch-making new aloud and brand new rhyme, and never use the sound effects to create some sensory stimulation. Second, the use of the keyboard must be matched. The overall style to be unified and coordinated, the opera band using the keyboard must be matched with the band matching it with the opera music more harmonious, more ironing. Third, due to dramas should be required for different types of repertory and its different styles, the use of the keyboard