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在赏石文化领域,“皱、瘦、透、漏”是一个既古老而又现实的话题。这四个字,是针对太湖石及其类似石种提出的审美判断标准。相传,这个赏石标准,是宋代书画家米芾提出的,号称米芾“相石法”。米芾生于1051年,卒于1107年,他是在哪一年提出这个标准的,已无从考证。但这一标准至今已约有九百多年历史了,且史籍对此又缺乏必要的记述,因此,人们对这四个字的认识既熟悉,又陌生,在赏石实践中,不时地提出这样或那样的问题,需要人们去探讨。一、米芾“相石法”产生的地理环境与历史背景人们不禁要问:在宋代,赏石活动已经很盛行,仅仅出版的奇石书籍就有好多种,有杜绾的《云林石谱》,还有常懋的《宣和石谱》,渔阳公的(渔阳石谱》,赵希鹄的《洞天清禄集》等等,在这些古籍里,每木书都有数十个、
In the field of stone culture, “wrinkle, thin, transparent, leak ” is an ancient and realistic topic. These four words are aimed at the aesthetic judgment of Taihu and other similar stone types. According to legend, the standard stone appreciation, is the Song Dynasty painter Mi 芾 proposed, known as Mi 芾 “Phantom ”. Mi 芾 was born in 1051, died in 1107, he proposed the standard in which year, has no way of research. However, this standard has been dating back for about 900 years to date and historical books lack the necessary account. Therefore, people’s understanding of these four words is both familiar and unfamiliar. From time to time, One way or another, people need to explore it. First, the Mi 芾 “Phantom ” geographical environment and historical background People can not help but ask: in the Song Dynasty, rock activities have been very popular, only published Kistler books there are many, there are Du 绾 “Yun Lin Stone Tablets ”and Chang Mao’s“ Xuan He Shi She ”, Yu Yang Gong’s (Yu Yang Shi Pu) and Zhao Xijiang’s“ Dong Tian Qing Lu Ji ”, etc. In these ancient books, there are dozens of wooden books A,