观众对中国动画似乎只有两个印象——20世纪90年代中期之前丰富多彩、经典频现的黄金时期:21世纪之后产量远大于质量、创造枯竭的虚假繁荣期。很少有人关注这两个极端之间的过渡阶段——“动画国际合作、对外联合制片”时期。这期间,以上海美术电影制片厂为代表的全国动画骨干几乎都去做国外的加工片了,中国原创动画一蹶不振。很多人把中国动画 The audience seems to have only two impressions of Chinese animation - the golden age of richness and classicism before the mid-1990s: the output after the 21st century far outweighs the quality and creates a depleted, false, prosperous period. Few people pay attention to the transitional stage between these two extremes - the period of international cooperation in animation and foreign joint production. During this period, almost all of the national animated cartoons represented by the Shanghai Fine Arts Film Studio went abroad for processing. The original Chinese animation was sluggish. Many people Chinese animation