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译/李富军
俄罗斯雕塑家列万·拉扎列夫(1928-2004)（Levon Lazarev）的名声不只在俄罗斯，可以说是世界范围的。他是很多著名历史人物纪念碑的作者，比如：哥特，克瓦林格（Kvarengi）,巴赫,撒哈洛夫（Saxarov）.
列万·拉扎列夫生于格鲁吉亚并在那里长大。当他只有9岁还是个孩子的时候，父亲被枪杀,妈妈和奶奶把列万养大。他的家庭是艺术型的，这个男孩一开始受家庭熏陶爱上了音乐和戏剧，由于命运的转折，列万成了雕塑家。踏上这个职业的路是曲折而漫长的。一开始他考上了第比利斯国立美术学院，然后在莫斯科实用与装饰美术学院继续自己的学业，最后，毕业于列宁格勒慕西娜工艺美术学院。专业的美术教育加上自由的创作空间赋予了雕塑家超常的造型和创作能力。
列万·拉扎列夫的创作生涯始终围绕着善与恶，爱与恨这些永恒的主题。作品《人之痛》就是这类，拉扎列夫把世上存在的所有痛苦汇集于一个卷曲的人体上，燃烧的激情达到顶点，既是火焰熄灭，观众仍会由于无法抵御这种力量而感到身不由己。忧伤和英雄主义可以在很多拉扎列夫的作品中看到。
返古倾向和现代样式化的神话主题是雕塑家作品的艺术特点之一。在作品萨哈洛夫纪念碑中显见这一点，他在作品中借用了古埃及神话的符号，主人公（科学家）的整个身体像是襁褓的木乃伊。头部塑造的感觉让人想起古老的“赐予光明”的宗教仪式，就好像伟大的祭司轻轻的抚过主人公的脸，让他失明继而又使他重见光明。需要强调的是，拉扎列夫不像任何其他人，不光善于控制艺术造型表面看得见的事物，还善于表达形象本身之外的东西。有时他会把两个历史人物的形象结合在一起。比如，亚历山大·普希金的头像明显模仿了埃及艳后妮菲提提的形象。著名的俄罗斯诗人同古埃及王后，长的就像两滴水一样相似。富有表情的长脖子，清晰的椭圆脸，无懈可击的鼻子，以及后脑勺体量极小，都是这两个头像所共有的部特征。但即使这样，普希金毕竟还是普希金，头像本身明白的说明这一点。拉扎列夫可以称作当代最优秀的肖像雕塑家之一。
拉扎列夫作品的其他特点表现在神话题材的现代样式化上。比如，古希腊女神阿尔忒弥斯的塑像运用了拼凑的风格。在狩猎女神的形象中融汇了不同的历史朝代。雕塑家在自己塑造人物中借用了碎片的概念，从遥远的旧石器时代，古典神话情节，最后到古希腊风格的人物造型。总之，雕塑家的探索从没停止过。他经常用我们周围常见的普通材料直接作为雕塑材料加以塑造，包括铁丝，绳索，大麻纤维都会带给作品不同一般的装饰性和象征意义。用这种方式他塑造了著名的作曲家绍斯达克维奇（Shostakovich）。作曲家的胸像，只有一个壳子，在它上面没有古典意义上的形体，有的只是面，然后就空空如也什么也没有了。在这些非同寻常的处理方式中，强调了形体空间的虚无和精神的张扬，完全是拉扎列夫式的。他把造型材料撕来扯去，就像传奇的英雄Danko，撕裂自己的胸膛，掏出自己的心脏把他高高举在头顶，用它照亮人们前进的路。
There is No Limit to Creation
—The Russian Sculptor Levon Lazarev
⊙ O.Tolstoya
The Russian sculptor Levon Lazarev’s reputation is not only in Russia, but also in the world. He is the author of many famous historical figures’ monuments, such as: Gothic, Kvarengi, Bach, Saxarov.
Levon Lazarev was born in Georgia and grew up there. When he was only nine years old,still a child, his father was shot. And he was raised by his mother and grandmother. His family is art-type, at the beginning, the boy shew an interest in music and drama, influenced by his family, as the fate turned, Levon Lazarev became a sculptor. The road of the career is tortuous and long. At the beginning, he got into Tbilisi National Fine Arts Institute, and then continued his studies in Practical And Decorative Fine Arts Institute, in Moscow. Finally, he graduated from Leningrad Muhina Arts and Crafts Institute. The professional art education coupled with the freedom creative space has given the sculptor extraordinary modeling and creative ability.
Levon Lazarev’s creative career always focus on good and evil, love and hate, these eternal themes. Such as the work The Pain of People , he pooled all the world suffering on a curly human, the burning passion peaked, even if the flame is extinguished, the audience will still be unable to resist such forces and can’t help. Sorrow and heroism can be seen in many of Levon Lazarev’s works.
Counter- ancient tendency and modern styles myth theme is one of the art characteristics of the sculptor’ works. This can be clearly seen in the work, Saxarov’s monument, he used symbols of ancient Egyptian myth, the entire body of the hero (scientist) is like the infant mummy. The feeling of head molding reminiscent of the ancient"giving bright" religious ritual, as if the great shaman gently stroked the hero’s face, so that he is blind then he can see. What needs to be stressed is that Lazarev is unlike any other one, he is not just good at controlling visible things on the art form surface, but also good at expressing the outside things of the image itself. Sometimes he will combine the images of two historical figures. For example, Alexander - Pushkin’s head obviously imitated the image of Egyptian Queen Nefertiti. The famous Russian poet and the ancient Egyptian queen are as similar as two drops of water. The expressive long neck, clear oval face, impeccable nose, and the back of the brain is extremely small, these are the same features of the two portraits. But even then, the Pushkin Pushkin, after all, the portrait itself illustrates this point. Lazarev can be called one of the best contemporary portrait sculptors.
Other characteristics of Lazarev’s works displayed in the modern style of the myths theme. For example, used concocted style in the statue of Greek goddess Artemis,united different historical dynasties in the image of the virgin goddess of hunting. The Sculptor use the debris concept in his creation, from the deep Paleolithic, classical mythology plot, to the figures’ forms of ancient Greek style. In a word, the sculptor had never stopped exploring. He often use common and ordinary materials around us directly as sculpture materials to mold, including wire, rope, hemp fiber, which will give the works unusual decorative details and symbolic meanings. In this way, he created the famous composer Shostakovich. Composer’s bust, only a shell,the body has no classical sense, just has the surface, and nothing else. In these extraordinary approach, he layed stress on the nothingness of the physical space and the expansion of the spirit, that is Lazarev’s style. He torn the modeling materials, like the legendary hero Danko, cut his chest, took out his heart and put it highly above his head, lighting up people’s way forward.
俄罗斯雕塑家列万·拉扎列夫(1928-2004)（Levon Lazarev）的名声不只在俄罗斯，可以说是世界范围的。他是很多著名历史人物纪念碑的作者，比如：哥特，克瓦林格（Kvarengi）,巴赫,撒哈洛夫（Saxarov）.
列万·拉扎列夫生于格鲁吉亚并在那里长大。当他只有9岁还是个孩子的时候，父亲被枪杀,妈妈和奶奶把列万养大。他的家庭是艺术型的，这个男孩一开始受家庭熏陶爱上了音乐和戏剧，由于命运的转折，列万成了雕塑家。踏上这个职业的路是曲折而漫长的。一开始他考上了第比利斯国立美术学院，然后在莫斯科实用与装饰美术学院继续自己的学业，最后，毕业于列宁格勒慕西娜工艺美术学院。专业的美术教育加上自由的创作空间赋予了雕塑家超常的造型和创作能力。
列万·拉扎列夫的创作生涯始终围绕着善与恶，爱与恨这些永恒的主题。作品《人之痛》就是这类，拉扎列夫把世上存在的所有痛苦汇集于一个卷曲的人体上，燃烧的激情达到顶点，既是火焰熄灭，观众仍会由于无法抵御这种力量而感到身不由己。忧伤和英雄主义可以在很多拉扎列夫的作品中看到。
返古倾向和现代样式化的神话主题是雕塑家作品的艺术特点之一。在作品萨哈洛夫纪念碑中显见这一点，他在作品中借用了古埃及神话的符号，主人公（科学家）的整个身体像是襁褓的木乃伊。头部塑造的感觉让人想起古老的“赐予光明”的宗教仪式，就好像伟大的祭司轻轻的抚过主人公的脸，让他失明继而又使他重见光明。需要强调的是，拉扎列夫不像任何其他人，不光善于控制艺术造型表面看得见的事物，还善于表达形象本身之外的东西。有时他会把两个历史人物的形象结合在一起。比如，亚历山大·普希金的头像明显模仿了埃及艳后妮菲提提的形象。著名的俄罗斯诗人同古埃及王后，长的就像两滴水一样相似。富有表情的长脖子，清晰的椭圆脸，无懈可击的鼻子，以及后脑勺体量极小，都是这两个头像所共有的部特征。但即使这样，普希金毕竟还是普希金，头像本身明白的说明这一点。拉扎列夫可以称作当代最优秀的肖像雕塑家之一。
拉扎列夫作品的其他特点表现在神话题材的现代样式化上。比如，古希腊女神阿尔忒弥斯的塑像运用了拼凑的风格。在狩猎女神的形象中融汇了不同的历史朝代。雕塑家在自己塑造人物中借用了碎片的概念，从遥远的旧石器时代，古典神话情节，最后到古希腊风格的人物造型。总之，雕塑家的探索从没停止过。他经常用我们周围常见的普通材料直接作为雕塑材料加以塑造，包括铁丝，绳索，大麻纤维都会带给作品不同一般的装饰性和象征意义。用这种方式他塑造了著名的作曲家绍斯达克维奇（Shostakovich）。作曲家的胸像，只有一个壳子，在它上面没有古典意义上的形体，有的只是面，然后就空空如也什么也没有了。在这些非同寻常的处理方式中，强调了形体空间的虚无和精神的张扬，完全是拉扎列夫式的。他把造型材料撕来扯去，就像传奇的英雄Danko，撕裂自己的胸膛，掏出自己的心脏把他高高举在头顶，用它照亮人们前进的路。
There is No Limit to Creation
—The Russian Sculptor Levon Lazarev
⊙ O.Tolstoya
The Russian sculptor Levon Lazarev’s reputation is not only in Russia, but also in the world. He is the author of many famous historical figures’ monuments, such as: Gothic, Kvarengi, Bach, Saxarov.
Levon Lazarev was born in Georgia and grew up there. When he was only nine years old,still a child, his father was shot. And he was raised by his mother and grandmother. His family is art-type, at the beginning, the boy shew an interest in music and drama, influenced by his family, as the fate turned, Levon Lazarev became a sculptor. The road of the career is tortuous and long. At the beginning, he got into Tbilisi National Fine Arts Institute, and then continued his studies in Practical And Decorative Fine Arts Institute, in Moscow. Finally, he graduated from Leningrad Muhina Arts and Crafts Institute. The professional art education coupled with the freedom creative space has given the sculptor extraordinary modeling and creative ability.
Levon Lazarev’s creative career always focus on good and evil, love and hate, these eternal themes. Such as the work The Pain of People , he pooled all the world suffering on a curly human, the burning passion peaked, even if the flame is extinguished, the audience will still be unable to resist such forces and can’t help. Sorrow and heroism can be seen in many of Levon Lazarev’s works.
Counter- ancient tendency and modern styles myth theme is one of the art characteristics of the sculptor’ works. This can be clearly seen in the work, Saxarov’s monument, he used symbols of ancient Egyptian myth, the entire body of the hero (scientist) is like the infant mummy. The feeling of head molding reminiscent of the ancient"giving bright" religious ritual, as if the great shaman gently stroked the hero’s face, so that he is blind then he can see. What needs to be stressed is that Lazarev is unlike any other one, he is not just good at controlling visible things on the art form surface, but also good at expressing the outside things of the image itself. Sometimes he will combine the images of two historical figures. For example, Alexander - Pushkin’s head obviously imitated the image of Egyptian Queen Nefertiti. The famous Russian poet and the ancient Egyptian queen are as similar as two drops of water. The expressive long neck, clear oval face, impeccable nose, and the back of the brain is extremely small, these are the same features of the two portraits. But even then, the Pushkin Pushkin, after all, the portrait itself illustrates this point. Lazarev can be called one of the best contemporary portrait sculptors.
Other characteristics of Lazarev’s works displayed in the modern style of the myths theme. For example, used concocted style in the statue of Greek goddess Artemis,united different historical dynasties in the image of the virgin goddess of hunting. The Sculptor use the debris concept in his creation, from the deep Paleolithic, classical mythology plot, to the figures’ forms of ancient Greek style. In a word, the sculptor had never stopped exploring. He often use common and ordinary materials around us directly as sculpture materials to mold, including wire, rope, hemp fiber, which will give the works unusual decorative details and symbolic meanings. In this way, he created the famous composer Shostakovich. Composer’s bust, only a shell,the body has no classical sense, just has the surface, and nothing else. In these extraordinary approach, he layed stress on the nothingness of the physical space and the expansion of the spirit, that is Lazarev’s style. He torn the modeling materials, like the legendary hero Danko, cut his chest, took out his heart and put it highly above his head, lighting up people’s way forward.