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从上世纪90年代随着中国大众文化的再度勃兴,一种不同于50-70年代工农兵文艺的商业文化成为主流文化的景观。如果说80年代的文学、电影等艺术实践以对50-70年代文艺政治化的批判承担着改革时代的政治功能,那么90年代的大众文化则以去政治化、消费化的方式实现了文化功能的转型。与此同时,80年代积累的文学批评的方式和想象也很难适应90年代市场下的文化生态,在此背景下,已经在西方学院(尤其是英国、美国)方兴未艾的文化研究开始进入中国人文知识分子的视野,
From the resurgence of Chinese popular culture in the 1990s, a commercial culture different from that of the workers, peasants and soldiers in the 1950s-70s has become the mainstream cultural landscape. If the art practice of literature and cinema in the 1980s took on the political function of the era of reform in the 1950s and 1970s when the criticism of the art politicization took place, then the popular culture of the 1990s realized the cultural function in a de-politicized and consumerism way Transformation. In the meantime, the ways and imagination of the literary criticism accumulated in the 1980s are also hard to adapt to the cultural ecology under the market in the 1990s. Against this backdrop, the cultural studies that have been going on in western colleges (especially the United Kingdom and the United States) have started to enter Chinese culture Intellectual vision,