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1920年代是苏联讽刺喜剧的繁荣期,米·布尔加科夫是当时最重要的讽刺喜剧作家之一。本文将运用巴赫金在《小说的时间形式和时空体形式》中关于“骗子、小丑和傻瓜”的论述,分析布尔加科夫剧中的“反面人物”如何借助“骗子、小丑和傻瓜”的面具与苏维埃价值观念和行为准则展开隐蔽的对话。
The 1920s were a booming period of Soviet satirical comedy, and M. Bulgakov was one of the most important satirical comedy writers of the time. This article will use Bakhtin’s expositions on “liar, clown and fool” in the “Time Forms and Space-Time Forms of Novels” to analyze how Bulgak’s play “ Clown and fool ”mask and the Soviet values and codes of conduct open dialogue.