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水彩画作为舶来画,传入中国至今已百余年,在中国的形成与发展至今也经历了一段起伏的革沿。其间,由于中国历史文化的演变、社会的意识和形态、传统艺术理念及教育体制方面的影响,中国水彩绘画面临着如何与时俱进地创新出更符合中国特色的中国水彩画,可见其难度是不言而喻的。本文从中国水彩绘画的形成发展、观念局限(社会角色定位)、系统的水彩理论著作的局限、水彩自身性质、技法、绘画者的情感三者之间矛盾的局限以及绘画者的自我意识这些方面分析水彩绘画的难度。如此才能洞悉中国水彩绘画的本质性的潜在难度,明晰画者水彩创作方向,提高绘画人在创作中的自我价值实现值,创作出适应世界艺术潮流的水彩作品。
Watercolor painting as a ship, into China has been more than 100 years, in China, the formation and development has gone through a period of ups and downs of the revolution. In the meantime, due to the influence of the evolution of Chinese history and culture, the awareness and form of society, the concept of traditional arts and the influence of the educational system, Chinese watercolor painting is facing the problem of how to innovate Chinese watercolor paintings that are more in line with Chinese characteristics with the times. It goes without saying. This article starts with the formation and development of watercolor painting in China, the limitations of concepts (the orientation of social roles), the limitations of the systematic works of watercolor theory, the limitations of the contradiction between the three qualities of watercolor and the artist’s emotions, and the self-awareness of the artist Analysis of the difficulty of watercolor painting. Only in this way can we understand the essential potential difficulty of Chinese watercolor painting, clarify the orientation of watercolor creation, enhance the self-realization value of the artist in creation, and create the watercolor works that adapt to the world art trends.