远藤秀平发展Paramodern的概念并非因为他否认现代主义是建筑的来源和聚焦点,而是由于他个人的实践直接影响了规范的制定。他认为现代主义本身就是要摆脱二战后“后历史主义(Post-History)”的限制。远藤秀平拒绝建筑的持久性与纪念性,而立足于地域和法律价值,他的建筑直接表现当下的现实,成为时代的见证,代表着原则、价值和适应性,没有任何设计者个人的标志物。 Endo Hideki’s concept of developing Paramodern is not because he denies that modernism is the source and focal point of architecture, but because his personal practice has a direct impact on the formulation of norms. He believes that modernism itself is to get rid of the post-World War II “post-history” restrictions. Endo Hideyuki enduring durability of the building and, based on the geographical and legal value, his building directly to the present reality, become the testimony of the times, representing the principles, values ​​and adaptability, there is no sign of any designer Things.