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道家学派的两位主要创始人——老聃(老子)与庄周(庄子)以及反映他们主要思想的《老子》、《庄子》是研究道家美学思想最重要的资料。其中,《老子》的“大音希声”及《庄子》的“至乐无乐”、“法天贵真”等论述又都内含着深刻的富有哲理性的音乐美学思想,而且《庄子》的音乐美学思想在某种意义上来说是建立在《老子》的音乐美学思想基础之上,对《老子》既有一定的发展又有一定的改造与补充。《庄子》与《老子》的音乐美学思想既有共性也有个性。
The two main founders of the Taoist school, Lao Zi (Lao Zi) and Zhuang Zhou (Zhuang Zi), and Lao Zi and Zhuang Zi, which reflect their main ideas, are the most important materials for studying Taoist aesthetic thoughts. Among them, “Lao Zi” “Dazheng Xi Sheng ” and “Zhuangzi ” “Lele without music ”, “Fa Tian Gui Zhen ” and other arguments and they all contain profound philosophical music Aesthetics thought. In a certain sense, the music aesthetics thought of “Zhuang Zi” is based on the musical aesthetics thought of “Lao Tzu”, and it has certain transformation and supplement to “Lao Tzu” with certain development. The musical aesthetic thoughts of “Zhuangzi” and “Laozi” have both commonness and individuality.