中国画,凡描绘大自然景物者、咸称之为山水画。故凡画山水者,顾名思义,必善画山与水。古之画论中,论画山之法者多矣,而专论画水之法者寡矣。但这并非因为画山难而画水易。元代大画家黄公望曾说过:“山水中唯水口最难画。”古人视水为山之血脉,故要求把水画“活”,既有流动之形,又有潺潺之声。水口泉瀑之所以难画,便在于水从巅崖峻壁之间喷涌而出,其势若怒涛腾沸,奔崖注壑。其大者更有撼山摇海、惊天动地之势。要想在纸上画出这种气势,画者该有何等高超的技巧! Chinese painting, who describe the nature of the scene, salty called landscape painting. Where are the landscape painting, as the name suggests, will be good to draw mountains and water. The ancient painting theory, the method of painting more than the law, and the monograph drawing water law widowed. But this is not because it is difficult to draw a mountain and draw water easily. The great painter of the Yuan Dynasty, Huang Gongwang, once said: “The water of the ancient people is the most difficult to draw.” As the ancients regarded the water as the blood of the mountains, they demanded that the water should be “alive”, both flowing and gurgling. The reason why it is difficult to draw a fountain Quan Quan, it lies in the water spewing out from the cliff between the steep wall, the potential if the waves boil Tengyi, Benniyaqian. The big shake-up more shake the sea, earth-shattering potential. In order to draw this momentum on paper, the artist what kind of superb skills!