中国古代文论中,作与识不可两分,具有文学创作能力的“诗人”成为了文学认知的主体。“诗人言诗”在西方也有相当长的传统。所不同的是,西方的批评者采取的是主客体二分,感性和理性对立的思维途径,文学活动和文论批评被视为两个完全不同的过程。 In ancient Chinese literary theory, “poet”, with its literary creation ability and literary creation, became the main body of literary cognition. “Poet’s poem ” also has a long tradition in the West. What is different is that western critics have taken the dichotomy of subject and object, and the opposite of sensibility and rationality. Literature activities and literary criticism are regarded as two completely different processes.