在胶片时代,摄影家的接触印相小样除了作为选片的参考以外,很少公开示人,这就如同那些大画家的创作草图和速写,很多也是在后人的回顾整理中才得以展现,究其原因,是这些艺术家并不将其视为创作的成品,而今年2月由中国摄影出版社出版的《马格南世纪经典:马格南印相典藏》一书,则以个人档案的编辑方式,收录了69位马格南摄影师的139套接触印样,很多都是难得一见的视觉材料,读者在名作与接触印样的反复比对中,产生前所未有的亲近感,也是从 In the film age, the photographer’s contact print sample is rarely seen as a reference to the selection film, just as the sketch and sketches of the big painters, many of which were also exhibited in later reviewers The reason is that these artists do not regard them as the finished product of their creation. In February this year, the magazine Magnum Century Collection: The Magnum Collection of Printed Papers, published by China Photography Press, Way, contains 69 Magnum photographers 139 sets of contact printing, many are rare visual material, the reader in the masterpiece and contact proof repeated comparison, resulting in an unprecedented sense of intimacy, but also from