如果我们把1979年“星星画会”在中国美术馆围墙外举办的展览,看作是中国前卫艺术运动的滥觞,那么它带来的冲击波,应该说不仅仅只是作品,更是那些艺术家冲破体制的樊篱,对现实规范提出的挑战。因为就作品而言,“星星美展”的绝大部分画家都是在探索一种所谓的“现代派”风格,而这些风格,早在二十世纪三十年代,就已经被上海的“决澜社”成员 If we regard the exhibition “1979” “Star Art Society” outside the fence of the Chinese art museum as the starting point of the Chinese avant-garde art movement, the shock waves it brings should not only be the works but also the artists Break through the barriers of the system, the challenges posed by the reality of norms. Because in terms of works, most painters in “Star Art Exhibition” are exploring a so-called “modernist” style that, as early as the 1930s, has been adopted by Shanghai “Lanlan community ” members