论文部分内容阅读
舞台聚光灯下的中山陵前,暴风雪中,一人独跪,仰天长啸,“赤膊条条任去留,丈夫于世何所求?窃恐民气摧残尽,愿把身躯易自由!”慷慨悲歌回荡在北京国安剧院里,将观众拉进到了八十年前续范亭在中山陵前剖腹明志的戏剧情境之中。新编北路梆子现代戏《云水松柏续范亭》的演出,让台下观众屏息凝神,情绪从第一场的“哭陵”开始即被紧紧抓住,台上台下,进行了跨越时代的灵魂冼礼。与近千名首都观众、文化部副部长董伟、山西省人大常委会副主任李政文等一同观看演出的原文化部部长、著名
Stage under the spotlight in front of Zhongshan, snowstorm, one person alone kneeling, sky shouts, “naked to stay, her husband in the world what to ask? Taoxing gas destroy, make the body easy to freedom! ” Generous Elegy echoes in the Beijing Guoan Theater, the audience pulled into the eighty years ago, Fan Ting in the Mausoleum of Caesarean Mingzhi drama situation. A new edition of the North Road Bangzi modern drama “Shuishui Songbo continued Fan Ting” performance, so that the audience audience breathtaking, emotions from the first game “Crying ” was firmly grasp the stage, the stage Sin soul of the times across the times. With nearly a thousand viewers of the capital, Dong Wei, deputy minister of culture, Li Zhengwen, deputy director of Shanxi Provincial People’s Congress Standing Committee and other watched the performance of the former Minister of Culture, the famous