在中国的瓷器生产史上有着许多受外来文化影响的器形,如:唐代的三彩凤首壶、明永乐青花抱月瓶等,这是因为瓷器的生产是在一定的历史条件下,在一定的文化氛围中生产的,受到当时的社会风气、文化背景的影响。同样,清代瓷器的生产也在一定程度上受到了外来文化的影响。乾隆时期正处于清代盛世康雍乾三朝的巅峰时期,社会安定,国力强盛,百姓安居乐业,瓷器的生产也进入了最辉煌的时期。乾隆皇帝本人博古通今,有着极高的艺术鉴赏水平,特别是对瓷器的生产更有着独到的见解,常有亲下谕旨指定瓷器器形、品种烧造之事。乾隆一朝瓷器的生产达到了历史的顶峰,品种之丰富,种类 In the history of porcelain production in China, there are many shapes influenced by foreign cultures, such as the three-color phoenix pots in the Tang Dynasty and the Mingyue blue-and-white mooncake bottles. This is because the production of porcelain is under certain historical conditions. Produced in a certain cultural atmosphere, influenced by the social atmosphere and cultural background of the time. Similarly, the production of porcelain in the Qing Dynasty was also influenced to some extent by foreign cultures. Qianlong period is at the peak of the Kangxi and Yongzhan Dynasties Qing Dynasty, social stability, strong national strength, people live and work in peace, porcelain production also entered the most glorious period. Emperor Qianlong Emperor Bogut today, has a very high level of artistic appreciation, especially for the production of porcelain has a more unique insights, often ordered by the pro-orator designated porcelain shape, the type of burning things. Qianlong porcelain production reached the pinnacle of history, the rich variety of species